This exhibition is a travelling project started this summer in Venice. I’ve  Been Abducted Hundreds of Times is both a hallucination game and an archeology of the future, which develops in the form of a scenario, whose components enter into dialogue, complement or contradict each other. They are relics of the Soviet world, archives, interstellar flight documents, sci-fi and fiction. The story is narrated by a scholar kidnapped by the aliens, who becomes, by force of circumstances, the artist himself, trying, through his works, to give structure to his experience. The visitor is invited to experience being “kidnapped” by the artist and transported into his universes.

Curator Simon Njami About Gosha Ostretsov: 

Russian artist Gosha Ostretsov was born in Moscow in 1967. In the 1980s, he abandoned the Soviet-style study of academic art and joined a group of avant-garde artists who worked in a kindergarten. He went to Paris in 1988. It was the age of perestroika, and the West wanted to know about young Russian artists and what they had to say about their experience. Ten years later, Gosha returned to Moscow where he tried his hand at a variety of artistic forms, including performance, sculpture and painting. He found inspiration in illustrations for science fiction and religious books, comics, fiction, Soviet films from the 1950s and 1960s, icons, and much more.

May-June 2017. I Have Been Abducted Hundreds Times Before. Palazzo Nani, Venice.

Gosha Ostretsov tells us fantastic stories through his painting and performances. In 2010, he brought together a group of about 20 artists and called it VGLAZ. In 2012, art collector and gallerist Charles Saatchi chose some of their works for a group show called Gaiety Is the Most Outstanding Feature of the Soviet Union, and later bought some of them.

Ostretsov’s works are on display at the Russian State Museum (St. Petersburg), theTretyakov Gallery (Moscow), the National Center for Contemporary Arts (Moscow), the Moscow Museum of Modern Art, the Centre Pompidou (Paris), the Saatchi Gallery (London), the Zabludowicz Collection (London), the Tiroche DeLeon Collection (Tel Aviv), as well as several private collections

Simon Njami

Simon Njami is a writer and an independent curator, lecturer, art critic and essayist. He has published his first novel “Cercueil et Cie” in 1985, followed by “Les Enfants de la Cité” in 1987, “Les Clandestins” and “African Gigolo” in 1989. He wrote two biographies, about James Baldwin and Léopold Sédar Senghor, several short texts, and scripts for feature films and documentaries. Njami is the co-founder of Revue Noire, a journal of contemporary African and extra-occidental art, and he was Visiting Professor at the University of California San Diego (UCSD). He curated many international exhibitions and was among the first to show contemporary African artists’ works on international platforms.

He has served as Artistic Director of Bamako Encounters African photography biennial from 2001 to 2007. Njami is the curator of the Africa Remix photo exhibition that was on view in Düsseldorf (Museum Kunst Palast), London (Hayward Gallery), Paris (Centre Pompidou), Tokyo (Mori Museum), Stockholm (Moderna Museet) and Johannesburg (Johannesburg Art Gallery) from 2004 to 2007.

The exhibition “The Divine Comedy: Heaven,Purgatory, and Hell Revisited by Contemporary African Artists” was shown at MMK (Museum für Moderne Kunst, Frankfurt am Main), the SCAD Museum of Art in 2014, and at Smithsonian Institution’s African Art Museum, Washington, in 2015. Simon Njami was the Artistic Director of the 12th edition of Dak’art, the Dakar Biennale, which took place in Senegal in 2016.

Invited to numerous art and photography juries, such as the World Press Photo Contest, Njami is the Art Adviser of the Sindika Dokolo Foundation (Luanda) and the Artistic Director of the Donwahi Foundation (Abidjan) and member of the scientific boards of numerous museums around the world.

  • Date: 09 December 2017 - 19 December 2017
  • Espace Goyal Espace Goyal Madeleine, 23 rue Tronchet, ring Goyal, 4ème étage